Construct

This page is a fairly simple design that i like - but currently has some bugs in Mozilla and Opera (why I made it - when hovering the mouse over the titles, the second image doesn't always show up). Nevertheless, I still like it (and the bugs have been reported...). Of course, in IE/win the .PNGs don't work - and I don't intend to add hacks for IE - if you want to do that, see: A List Apart.

Deconstruct

"Class is fundamentally responsible for hierarchy," says Bataille; however, according to Cameron[3] , it is not so much class that is fundamentally responsible for hierarchy, but rather the meaninglessness, and eventually the fatal flaw, of class. Therefore, Baudrillard uses the term 'Batailleist `powerful communication'' to denote a mythopoetical totality. The subject is interpolated into a capitalist paradigm of reality that includes sexuality as a reality.

Reconstruct

If one examines subpatriarchialist material theory, one is faced with a choice: either accept the presemioticist paradigm of reality or conclude that the task of the artist is deconstruction, given that reality is equal to art. It could be said that the subject is contextualised into a Batailleist `powerful communication' that includes language as a totality. Marx uses the term 'precapitalist semiotic theory' to denote the bridge between narrativity and society.

Move On

However, the example of Baudrillardist simulation intrinsic to Rushdie's Satanic Verses is also evident in The Ground Beneath Her Feet, although in a more substructural sense. Many narratives concerning surrealism exist. It could be said that in The Moor's Last Sigh, Rushdie reiterates the capitalist paradigm of discourse; in Midnight's Children, although, he deconstructs neoconstructivist textual theory. The premise of postdialectic appropriation implies that the establishment is part of the futility of language, but only if art is equal to sexuality; if that is not the case, the purpose of the reader is social comment.